Gloomy Sunday

Posted in Song with tags , , , , on December 10, 2007 by possecomitatus

Sunday is gloomy,
My hours are slumberless
Dearest the shadows
I live with are numberless
Little white flowers
Will never awaken you
Not where the black coaches
Sorrow has taken you
Angels have no thoughts
Of ever returning you
Wouldn’t they be angry
If I thought of joining you?

Gloomy Sunday

Gloomy is Sunday,
With shadows I spend it all
My heart and I
Have decided to end it all
Soon there’ll be candles
And prayers that are said I know
But let them not weep
Let them know that I’m glad to go
Death is no dream
For in death I’m caressin’ you
With the last breath of my soul
I’ll be blessin’ you

Gloomy Sunday

Dreaming, I was only dreaming
I wake and I find you asleep
In the deep of my heart here
Darling I hope
That my dream never haunted you
My heart is tellin’ you
How much I wanted you
Gloomy Sunday

(“Gloomy Sunday” (from Hungarian “Szomorú Vasárnap”, IPA: ['somoruː 'vɒʃarnɒp]) is a song written by the Hungarian self-taught pianist and composer Rezső Seress in 1933. According to urban legend, it inspired hundreds of suicides. When the song was first marketed in the United States, it became known as the “Hungarian suicide song”. There is no systematic substantiation for such claims, as it is not documented where any such allegations appear in press coverage or other publications of the time.

Numerous versions of the song have been recorded and released. Michael Brooks wrote in the program notes for the 10-CD set, “Lady Day” – the Complete Billie Holiday on Columbia, 1933-1944:

“Gloomy Sunday reached America in 1936 and, thanks to a brilliant publicity campaign, became known as The Hungarian Suicide Song. Supposedly after hearing it, distraught lovers were hypnotized into heading straight out of the nearest open window, in much the same fashion as investors after October 1929; both stories are largely urban myths.”)

Desiderata

Posted in Poem with tags on December 8, 2007 by possecomitatus

(by Max Ehrmann)

Go placidly amid the noise and haste,
and remember what peace there may be in silence.
As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story.

Avoid loud and aggressive persons,
they are vexations to the spirit.
If you compare yourself with others,
you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.

Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism.

Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass.

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.
Beyond a wholesome discipline,
be gentle with yourself.

You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.

Finnegan’s Wake

Posted in Song with tags , , on December 7, 2007 by possecomitatus

Tim Finnegan lived in Walkin Street, a gentle Irishman mighty odd
He had a brogue both rich and sweet, an’ to rise in the world he carried a hod
You see he’d a sort of a tipplers way but the love for the liquor poor Tim was born
To help him on his way each day, he’d a drop of the craythur every morn

Whack fol the dah now dance to yer partner around the flure yer trotters shake
Wasn’t it the truth I told you? Lots of fun at Finnegan’s Wake

One morning Tim got rather full, his head felt heavy which made him shake
Fell from a ladder and he broke his skull, and they carried him home his corpse to wake
Rolled him up in a nice clean sheet, and laid him out upon the bed
A bottle of whiskey at his feet and a barrel of porter at his head

Whack fol the dah now dance to yer partner around the flure yer trotters shake
Wasn’t it the truth I told you? Lots of fun at Finnegan’s Wake

His friends assembled at the wake, and Mrs Finnegan called for lunch
First she brought in tay and cake, then pipes, tobacco and whiskey punch
Biddy O’Brien began to cry, “Such a nice clean corpse, did you ever see,
Tim avourneen, why did you die?”, “Will ye hould your gob?” said Paddy McGee

Whack fol the dah now dance to yer partner around the flure yer trotters shake
Wasn’t it the truth I told you? Lots of fun at Finnegan’s Wake

Then Maggie O’Connor took up the job, “Biddy” says she “you’re wrong, I’m sure”
Biddy gave her a belt in the gob and left her sprawling on the floor
Then the war did soon engage, t’was woman to woman and man to man
Shillelagh law was all the rage and a row and a ruction soon began

Whack fol the dah now dance to yer partner around the flure yer trotters shake
Wasn’t it the truth I told you? Lots of fun at Finnegan’s Wake

Mickey Maloney ducked his head when a bucket of whiskey flew at him
It missed, and falling on the bed, the liquor scattered over Tim
Bedad he revives, see how he rises, Timothy rising from the bed
Saying “Whittle your whiskey around like blazes, t’underin’ Jaysus, do ye think I’m dead?”

Whack fol the dah now dance to yer partner around the flure yer trotters shake
Wasn’t it the truth I told you? Lots of fun at Finnegan’s Wake

Whack fol the dah now dance to yer partner around the flure yer trotters shake
Wasn’t it the truth I told you? Lots of fun at Finnegan’s Wake

 (A Tim Finnegan is the main character in James Joyce’s book Finnegans Wake. According to people who ought to know there are some parallels between Joyce’s Tim Finnegan and the legendary hero Fionn MacCumhail. Both are representatives of the old Irish order and values. As you may know Fionn MacCumhail is asleep in the Sheebeg Cairn and he will wake when Ireland need him. In this song Tim Finnegan has broke his skull and seemingly has passed away. Finnegan raised again when whiskey was spilled over him. Nice touch: in Gaelic whiskey is known as uisce beatha, or water of live.)

The Dawning Of The Day (Raglan Road)

Posted in Song with tags , , on December 5, 2007 by possecomitatus

On Raglan Road on an autumn day
I saw her first and knew
That her dark hair would weave a snare
That I might someday rue
I saw the danger
Yet I walked
Along the enchanted way
And I said, let grief be a fallen leaf
At the dawning of the day

On Grafton Street in November
We tripped lightly along the ledge
Of the deep ravine
Where can be seen
The worth of passion’s pledge
The Queen of Hearts still making tarts
And I not making hay
Oh I loved too much
And by such and such
Is hapiness thrown away

I gave her gifts of the mind
I gave her the secret sign
That’s known to the artists
Who have known the true gods of sound and stone
And word and tint, I did not stint,
I gave her poems to say.
With her own name there and her own dark hair
Like clouds over fields of May.

On a quiet street where old ghosts meet
I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should
A creature made of clay
When the angel woos the clay he’d lose
His wings at the dawning of the day.

(The confusion caused by the two titles of this song can be traced back to the different previous history of the tune on one hand and the words on the other.

The tune, known as Fainne Gael an Lae, strictly meaning The Bright Ring of Day, probably originates from the seventeenth century blind Sligo harpist Thomas O’Connellan. In 1847 Edward Walsh scored an eighteenth century poem to this air and the song Fainne Gael an Lae, by then translated as The Dawning of the Day, was born. The popularity of this song rocketed when a masterly interpretation by the famous Irish-American tenor John McCormack, of the The Dawning of the Day was used in the 1937 film Wings of the Morning.
O’Connellan’s air inspired not only Edward Walsh, but also Thomas Moore, when he sought music for The Minstrel Boy, as well as the author of The Ballad of William Bloat, Raymond Calvert.
In 1909, to make thing even more complicated, Cicely Fox Smith published a poem entitled At the Dawning of the Day. Apart from some phrases this poem has little to do with our subject, although it is not entirely unthinkable that Patrick Kavanagh at least knew this poem.

Most likely with knowledge of Walsh’s song The Dawning of the Day and Smith’s poem At the Dawning of the Day Patrick Kavanagh wrote a poem entitled Dark Haired Myriam Ran Away. This poem, which was published in 1946, seemingly referred to an unrequited love of Patrick Kavanagh. The words however don’t give a clue about her name and like a true gentlemen he never consigned the lady’s identity.

Kavanagh’s poem led a forlorn existence on dark bookshelves until Patrick Kavanagh and Luke Kelly of The Dubliners, at that time novices in the music scene, treated each other with their talents during a joyful pub session somewhere in the 1960’s.
The exact course of this gathering is vague. Some assume that Kavanagh recited his poem Dark Haired Myriam Ran Away and that Kelly set it to O’Connellan’s air. Others, among them Luke Kelly himself, state that Kavanagh already had set the poem to the air. Anyway, Patrick was impressed by the musical talents of Luke Kelly and he gave him permission to use the song. For some reasons The Dubliners didn’t use the original title of the poem and because there was already a song entitled The Dawning of the Day they came up with On Raglan Road.)

Four Green Fields

Posted in Song with tags , on December 2, 2007 by possecomitatus

By Tommy Makem

What did I have, said the fine old woman
What did I have, this proud old woman did say
I had four green fields, each one was a jewel
But strangers came and tried to take them from me
I had fine strong sons, who fought to save my jewels
They fought and they died, and that was my grief said she

Long time ago, said the fine old woman
Long time ago, this proud old woman did say
There was war and death, plundering and pillage
My children starved, by mountain, valley and sea
And their wailing cries, they shook the very heavens
My four green fields ran red with their blood, said she

What have I now, said the fine old woman
What have I now, this proud old woman did say
I have four green fields, one of them’s in bondage
In stranger’s hands, that tried to take it from me
But my sons had sons, as brave as were their fathers
My fourth green field will bloom once again said she

(The Four Green Fields in this song are symbolising the four provinces of Ireland: Connacht (north-west), Leinster (east coast and central), Munster (the south and west coast) and Ulster (north).)

The Heritage Council Report on Tuam (3)

Posted in Tuam, history with tags , on November 29, 2007 by possecomitatus

4.0 History of Tuam
4.1 Earliest Origins

The earliest origins of Tuam are invariably associated with St Jarlath, or Iarlaith, who reputedly founded a monastery in the area. Little is known of him, but a legend describing his arrival is contained in the life of St Brendan of Clonfert. According to the legend, the wheel of his chariot broke in the area while travelling from his monastery of nearby Cloonfush, several miles to the east. This event had apparently been foretold by St Brendan to mark the spot upon which Jarlath would meet his death. Duly inspired, Jarlath established his monastic settlement here. The town of Tuam celebrates the occasion by using a chariot wheel as its symbol. According to Colgan, Jarlath eventually met his death in 540 AD, whereas Ware placed the apex of his life later in the 550’s. Whatever the case Jarlath may be placed in the early stages of Irish Christianity.

A more prosaic factor in the choice of location for the monastery is hinted in the name of Tuam, a shortened version of its older name Tuaim da Ghualainn, i.e. the mound of two shoulders. This probably refers to the high ground on either side of the River Nanny, overlooking a probable fording point over the River Nanny (or Corchra). The ford drew travellers from several different directions. St Jarlaths monastery, therefore, would have been close to a prominent feature of the landscape, and the focus of local interaction.

The political hegemony over this fording point and locale seems to have been exercised by the Conmaince in the 6th and 7th centuries. They were identified with the southern O’Neill, who dominated the high kingship of Ireland for five hundred years. The O’Neill rule appears to decline in the early part of the 10th-11th centuries in the face of the rise of Brian Boru and the Viking towns. The Vikings made their mark in Connacht as early as 835, no doubt striking terror into the local population in their avaricious quest for slaves and precious goods.

The instability paved the way for the O’Connor tribe, based in Cruachu, County Roscommon, to challenge for the control of the country. At the beginning of the 11th century, the O’Connors appear to have pushed the rival O’Flaherty family away from Tuam, and then constructed a fortress on the eastern banks of the Corchra River by 1049.

4.2 The O’Connors and the Rise of Tuam

The construction of a castle at Tuam marked a fundamental turning point both in the history of the O’Connors and the area. For reasons which are unclear, the O’Connors abandoned their historical homeland of Cruachu, replete with its ancient ceremonial sites, markets and fortresses and moved to Tuam, bringing with them all the paraphernalia of the Royal seat of one of the five provinces of Ireland. The existing monastery was therefore subject to considerable patronage and support by the O’Connors, and no doubt functioned as an important ceremonial centre for the leading members.

Consequently, Tuam became the political and ceremonial centre of Connacht. In 1111 it was named as one of the 5 episcopal sees of Ireland. In 1127 the lands around the monastery were extended and the great cross slab commissioned commemorating the genius of Tordealbahch O’Connor, and the abbot and bishop of Tuam, Aed O’hOssian. The monastery was crowned an Episcopal see in 1152 at the Synod of Kells. The endowments must be seen in the context of the aggrandisement of the O’Connors, particularly in the reign of Tordealbhach, whose career was characterised by constant warring and intrusions into the south and east of Ireland in a bid to underline his High Kingship of Ireland.

During his reign, and for possibly another 100 years after his death in 1156, Tuam acquired the familiar trappings of a medieval ecclesiastical town. The Augustinians established a priory in 1140, a new Cathedral was constructed in 1180’s, the church of Tempaill Jarlath was reconstructed in late Romanesque style, around the same time, and the Premonastasian Abbey of the Holy Trinity was in existence by 1204. For much of the 13th century, the O’Connors retained a strong military and political presence in Connacht and it was not until the defeat of Ruairi at the Battle of Athenry in 1316 that the Anglo-Norman Burkes finally destroyed them. Unlike many Irish towns therefore, Tuam’s origins are firmly rooted in the Gaelic world, albeit in its final flourish.

4.3 The Medieval Era and the decline of Tuam

The rise of Galway city, under the patronage of the Burkes, and the corresponding decline of the O’Connors, inevitably diverted resources from Tuam. It continued to function as the ecclesiastical capital of the province and the agricultural produce of its hinterland was no doubt traded there. Indeed, this commercial function was underlined by the charter of 1260 granted by Lord Edward, son of Henry III, and later to be Edward II, to

‘Thomas, Archbishop of Tuam and his successors, a yearly fair at his vill of Twem to last for eight days, namely on the feast of St Thomas the Martyr, and seven days following’.

The charter may have provided some short term prosperity but it did not prevent the long term decline. Many of the buildings of Tuam had been destroyed by fire in 1244, and for the following two and half centuries constant warfare and instability appear to have sapped it of any commercial initiative. In 1555 it was reported that the city of Tuam was by then ‘in ruins, unfortified, and almost uninhabited…’. Another account dated to 1561 observed that the local gentry used the very Cathedral itself as a fortress, and that there were by now only twenty or thirty houses in the town. The reformation appeared to have had little impact, and it was not until the arrival of Archbishop Lally in 1573 that Protestantism made its presence felt. Moreover, the status of archbishopric was threatened when it was proposed to transfer the Cathedral to Galway in the early years of the seventeenth century.

4.4 The Stuart & Georgian town and its revival

The drastic step of transferring the Cathedral thankfully never occurred. Instead, the archbishopric remained in the town, and the initiative of the Stuart monarchy stimulated growth. In 1613, it was granted borough status during the reign of James I, and in return two loyal protestant individuals were to be forwarded to the newly formed Irish Parliament in Dublin. The borough was comprised of a sovereign, twelve free burgesses, and the commonalty, but it was strangely devoid of any particular geographical limit. The borough and its parliamentary representatives appear to have overseen the establishment of the town as a commercial and trading centre. The population increased for much of the following two centuries and the pattern of streets characterising the towns’ centre probably took shape.

The revival continued apace in the following century, with the arrival of Archbishop Singe in 1716 (-1742) heralding a period of notable improvement. During his tenure, the town saw the laying out of the demesne and accompanying gardens, on either side of the River Nanny. The demesne was laid out in the English style of matching clumps of trees, water, and natural contours popularised by Launcelot Brown. Archbishop Singe was buried in 1742 in the grounds of the St Mary’s Cathedral. As a mark of respect, the shaft of the Market Cross was removed from the market place and set over his grave.

The loyal citizens of the borough also added value to the produce of their holdings and of the hinterland with the establishment of breweries, tanneries, tuck mills and gig mills. By the late eighteenth century Tuam was a prosperous, confident, provincial market town, and many of its finer buildings are testimony to this. Apart from the demesne, other notable additions to the town included the Bishop Street Bridge (1735), the Market House in Town Square (1780), and several other fine residences e.g. Waterslade.

4.5 The Tumultuous Nineteenth Century

The nineteenth century ushered in a period of more extensive and rapid change than seen previously. The recovery of the Catholic Church, the Famine, the extension of central government, and the rise of the political movements demanding national independence, all had demonstrable repercussions. The catholic revival began modestly with the establishment of St Jarlath’s College in 1800. The Catholic Free School was founded in 1816, and the construction of the new Catholic Cathedral began in 1823. The enormous presence of Archbishop McHale who arrived in 1834, remaining there until his death in 1881, overshadowed political and cultural life in the town.

The nationalistic outlook for which Archbishop McHale is chiefly remembered was greatly influenced by the encroachment of the British government in all areas of life. The creation of the Tuam Poor Law Union led to the construction of a workhouse on the Dublin Road. Other governmental agencies followed including the courthouse, the Bridewell, and the police barracks. The system of local government itself was reformed with the passing of the Municipal Corporations Act 1840. Tuam was therefore vested with 22 elected members of the Town Commission, the first of which elected a catholic chairman in November 1843.

By then Tuam, and the roads that snaked out of it, possessed over 6,000 inhabitants.  For the most part, they lived in mud cabins which stretched out from the town as far as Newtown Morris, up to Newgrove, or at least a mile down the roads leading to Galway and to Athenry. The population fell to 5,000 in 1851, as a consequence of the Famine and its accompanying emigration. Thereafter it experienced a decline of its populace. By 1911, the population fell to c.3,000 and has slowly recovered since then. By 1971, the population reached 4,900 and is presently c.5,600.

The towns business and trading prospects, however, generally improved in the aftermath of the Famine. The market was held every Wednesday and Saturday, in addition to twelve monthly fairs every year, attracting the produce of its extensive hinterland. Cattle, sheep, pigs, and wool appear to have been the mainstay of the markets. The town was linked by railway to Athenry in 1860 and, hence the larger cities.

4.6 The Modern Era

By the early part of the twentieth century Tuam was a thriving provincial town. Agriculture experienced a boom during the First World War and this undoubtedly benefited its merchants and traders. The valuation of Tuam rose by £2,000 between 1901 and 1919 to reach £5,450. In addition, it benefited from the planting of emigrants in its hinterland by the Congested Districts Board.

The new Irish State provided a sympathetic environment for the catholic institutions that went from strength to strength with new secondary schools, and enlarged religious establishments. Only in the very recent past has this trend abated. The Protestant Bishopric experienced a general decline culminating in the sale of its demesne to the town commissioners in 1952.

In the 1920’s serious efforts were made to clear the unsanitary hovels inhabited by the poorer citizens, and to rehouse the poorer families in more reasonable accommodation. Over 200 local authority houses were constructed by 1942. The establishment of the Sugar factory in 1934 provided employment for hundreds for several decades until its closure in 1987. The railway was closed for commercial traffic in 1973.

The buildings of Tuam emerged relatively unscathed from construction activity common in other parts of the country in the 1960’s and 70’s. The centre of the town retains its essentially eighteenth to nineteenth century building fabric and many of the roads preserve the scale and width of a bygone era, although the ever increasing traffic through the centre has had the effect of setting aside large open spaces for car parking. It is in the outskirts of the town where the recent improvements in the national economy are most marked, in the form of new housing estates, road improvements and industrial quarters. The challenge for the future, therefore, will be to retain the characteristic charm of the old town in the new economic and social environment.

The Heritage Council Report on Tuam (2)

Posted in Tuam, history with tags , on November 29, 2007 by possecomitatus

3.0 Baseline

3.1  Tuam is situated in a low lying area of north Galway County, 21 miles north of Galway City. The N17 national route links the town to Galway City to the south and Sligo, via Claremorris, to the north. Additional routes link it to Athenry and Ballyhaunis.

3.2  Tuam comprises the town and its environs. In 1996 the population of the town stood at 3,487 and 2,140 in the environs. The environs of Tuam forms the larger area and much of it has been set aside for residential development in line with county policy. Consequently it is anticipated that the population of the town and environs will reach 8,000 by 2004. Its hinterland of rich agricultural lands has an estimated population of 27,000.

3.3  A body of Town Commissioners, established in 1843, presently serves the town. For the purposes of planning however, the local authority is Galway County Council. The council is based in the city and has set out its policies and objectives in the 1998-2003 County Plan. The Tuam Town Plan 2000-2005 is set within the context of overall county policy. Significantly, Tuam has been earmarked for a diversion of  ‘resources’ from the city, including residential development. This is reflected in the Town Plan in the promotion of a policy of greater population density and large-scale land zoning for residential purposes.

3.4  The town lies south of an area of a particularly rich archaeological landscape comprising chiefly of several hundred ringforts, souterrains, and unclassified earthworks. The volume of monuments indicates the rich heritage of its hinterland, but their survival owes much to the relative isolation and lack of modern development in the region. There are 34 prehistoric monuments currently recorded within Tuam and environs.

3.5  The centre of the town has so far escaped the transformation brought about by urban renewal common elsewhere. The present spate of development is a recent phenomenon and the challenges facing the town in preserving its character and heritage are topical. This is also the case in the environs where the proposed zoning for residential purposes will inevitably place pressure on the integrity and preservation of the field monuments.

3.6 Tuam does not at present share the prestige and attractions of its sister Episcopal sees, Armagh, Cashel, and Kells. Its name does not have the associations of Kells. The evolution of the town from a monastic centre, to a modern town, is nevertheless a remarkable story and is of major heritage value. Much of the evolution can be observed in its morphology and layout. As in the case of the other sees, its origins lie within the realms of the Gaelic world, unlike the Anglo-Norman origins of many of the urban centres of the country as a whole.

The Heritage Council Report on Tuam (1)

Posted in Tuam, history with tags , on November 29, 2007 by possecomitatus

(Here: http://www.heritagecouncil.ie/publications/tuam/1.html )

1.0 – Objectives

The survey was commissioned by the Heritage Council as part of a series on four historic towns, Kells, Co Meath; Cashel, Co Tipperary; Thomastown, Co Kilkenny; and Tuam, Co Galway. The purpose of the survey was fourfold:

a)   To examine the effectiveness of the National Monuments Acts, Planning Acts, and current guidelines, and their implementation, in relation to the preservation and management of the archaeological and built heritage. In addition, to make recommendations on how they might be improved.

b) To examine the policies and development plans of the statutory and local authorities and assess whether these provide optimum conditions for the preservation, recording, and management of the archaeological and built heritage. In addition, to make recommendations on how they might be improved.

c) To examine the effectiveness of the town development plan using the heritage appraisal of development plans methodology developed by the Heritage Council. Make recommendations on how the development plan might be improved.

d) To identify what, if any, features unique to Tuam, require a revised approach to archaeology and the built heritage in a planning and development context. The study will also consider how effective any earlier archaeological interventions have been.
1.1 Introduction

1.2 The case of Tuam is vital in that it comprises a particularly significant urban centre. Tuam owes its origins to the Gaelic civilisation preceding the Anglo-Norman invasion and the outline of its streets and lanes indicate a much older civilisation than that normally associated with the founding of Irish towns and cities. The outlines are partly ecclesiastical and partly secular in character, but they share a common fragility when faced with modern urban development. Alterations to plot sizes and site assembly erode the character of older urban centres. Modern construction technology is disproportionately powerful and destructive within the context of buildings and structures.

1.3 Tuam did not undergo the same level of urban renewal experienced in many other Irish towns in the 1990’s but the recent Galway County Plan and Tuam Town Plan both envisage increasing population and development in the town and its environs. The level of the proposed development will inevitably put pressure on the existing fabric.

1.4 The following survey will therefore consider both the archaeological and the historical architecture of Tuam. In an urban context both disciplines are the two sides of the one coin, since the character of a town is informed by both. It is perhaps unfortunate that the responsibilities of the archaeological heritage and built environment are largely catered for in different types of legislation, the National Monuments Acts and the Planning Acts. A highly centralised authority underpins the former, whereas the Planning Acts have traditionally sought to refer to local opinion for their operation. The consolidation of the Department of Arts, Culture, the Gaeltacht & the Islands has brought some of the functions together, but it remains to be seen if this will introduce coherent implementation of the legislation.

1.5 The state has been active in introducing an extensive range of legislation dealing with the built heritage in the last decade. A comprehensive and radical policy on built environment is now rooted in the Planning & Development Act 2000. It allows for considerable intervention on the part of the state and local authorities. The real effects of the legislation will no doubt be borne out over the coming years.

1.6 The purpose of this project therefore is to highlight issues of particular significance to Tuam, its character and its heritage. The recommendations that follow are based on a scrutiny of its history and existing characteristics, and the experience of planning there. It is hoped that the recommendations are realistic and capable of being implemented. The recommendations are primarily concerned with local government policies and objectives, although there are some suggested improvements to the legislation and to its implementation. The purpose of the report is to encourage the greater sophistication of urban policy rather than any radical change of direction.

1.7 The focus of attention of this study is on the outlines of early ecclesiastical enclosures, as reflected in the lanes and streets of the town, and on the open spaces that previously provided ground for the fairs and markets held in the town since it was established. As we will see, the legislative provisions, and the local policies protecting monuments may not be adequate in preserving what are in essence fragile urban features. Curved streets, narrow lanes, small plots, open yards, and privately held green spaces are subject to developmental pressures regularly. The loss of the particular is a recurring feature of modern urban development. The purpose of the project therefore is to make a case for some particular features, remnants of an earlier era, fragile yet valuable.

The West’s Awake

Posted in Song with tags , on November 27, 2007 by possecomitatus

by Thomas Osbourne Davis

When all beside a vigil keep,
The West’s asleep, the West’s asleep
Alas! And well may Erin weep
When Connacht lies in slumber deep.
There lake and plain smile fair and free,
‘Mid rocks their guardian chivalry.
Sing, Oh! Let man learn liberty
From crashing wind and lashing sea.

That chainless wave and lovely land
Freedom and nationhood demand;
Be sure the great God never planned
For slumb’ring slaves a home so grand.
And long a brave and haughty race
Honoured and sentinelled the place.
Sing, Oh! Not even their sons’ disgrace
Can quite destroy their glory’s trace.

For often, in O’Connor’s van,
To triumph dashed each Connacht clan.
And fleet as deer the Normans ran
Thro’ Corrsliabh Pass and Ardrahan;
And later times saw deeds as brave,
And glory guards Clanricard’s grave,
Sing, Oh! They died their land to save
At Aughrim’s slopes and Shannon’s wave.

And if, when all a vigil keep,
The West’s asleep! the West’s asleep!
Alas! And well may Erin weep
That Connacht lies in slumber deep.
But, hark! A voice like thunder spake,
The West’s awake! The West’s awake!
Sing, Oh! Hurrah! Let England quake,
We’ll watch till death for Erin’s sake

(Apart from skirmishes in the Wicklow Mountains the 1798 United Irishmen Rebellion was seemingly crushed after the siege and subsequent shelling of the rebels encampment at Vinegar Hill in June 1798.

Two months later however, in August 1798, a small French fleet beached near Killala in County Mayo. Men from Ireland’s most western counties Sligo, Mayo and Galway joined the French army and brought the rebellion back to life.
Initially the combined French-Irish army, commanded by General Humbert, achieved some great successes in a campaign commonly known as the Races of Castlebar. The successes of this small army filled up with untrained civilians, where primarily due to the lack of crown forces in the west. French reinforcements arrived too late and the advance came at a standstill when they met the English forces near Ballinamuck in County Longford. The ensuing Battle of Ballinamuck marked the end of this French invasion of Ireland.)

The Town I Loved so Well

Posted in Song with tags , on November 27, 2007 by possecomitatus

by Phil Coulter

In my memory I will always see
The town that I have loved so well
Where our school played ball by the gasyard wall
And we laughed through the smoke and smell.
Going home in the rain running up the dark lane
Past the jail and down beside the fountain
Those were happy days in so many, many ways
In the town I loved so well.
In the early morn the shirt factory horn
Called women from Creggan, the Moor and the Bog
While the men on the dole played a mothers role
Fed the children and then walked the dog
And when times got rough, there was just about enough
But they saw it through without complaining
For deep inside was a burning pride
for the town I loved so well.

There was music there in the Derry air
Like a language that we could all understand
I remember the day when I earned my first pay
as I played in a small pickup band
There I spent my youth and to tell you the truth
I was sad to leave it all behind me
For I’d learned about life and I’d found a wife
In the town I loved so well.

But when I returned how my eyes were burned
To see how a town could be brought to it’s knees
By the armoured cars and the bombed out bars
And the gas that hangs on to every breeze
Now the army’s installed by that old gasyard wall
And the damned barbed wire gets higher and higher
With their tanks and guns
Oh my God, what have they done
To the town I loved so well.

Now the music’s gone but they carry on
For their spirit’s been bruised, never broken
Oh, they’ll not forget still their hearts are set
On tomorrow and peace once again
Now what’s done is done and what’s won is won
And what’s lost is lost and gone forever
I can only pray for a bright brand new day
In the town I loved so well.

(After 21 July 1972, Bloody Friday, the British army started a huge scaled military operation known as Operation Motorman. Army units with tanks and bulldozers cleared the barricades surrounding the so-called no-go areas in Creggan, Bogside and Andersontown. Northern Ireland really had become a war-zone.)